Drama Archives | National Humanities Center

Drama

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American Realism and American Drama, 1880-1940

By Brenda Murphy (NHC Fellow, 1981–82) The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.

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Early Modern Theatricality

Edited by Henry S. Turner (NHC Fellow, 2010–11) The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge, scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus, they direct their readers to areas … Continued

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Everybody’s Shakespeare: Reflections Chiefly on the Tragedies

By Maynard Mack (NHC Fellow, 1984–85; 1986–87) Everybody’s Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays—Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra—and demonstrates … Continued

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John Webster: Citizen and Dramatist

By M. C. Bradbrook (NHC Fellow, 1978–79; 1980–81) Little has been known about Webster until quite recently when his family origins were traced in the London parish of St Sepulchrewithout-Newgate. Now we know that his father was a coachmaker and that he lived with his family in Nag's Head Alley. In this, the first full … Continued

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Occult Knowledge, Science, and Gender on the Shakespearean Stage

By Mary Floyd-Wilson (NHC Fellow, 2008–09; 2016–17) Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing … Continued

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Orientalism in French Classical Drama

By Michèle Longino (NHC Fellow, 1997–98) Michele Longino examines the ways in which Mediterranean exoticism alters the themes in French classical drama through the exploration of such plays by Corneille, Moliere and Racine as Le Cid, Medee, and Le bourgeois gentilhomme among others. She considers the role that the staging of the near Orient played … Continued

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Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries

By Jonathan Dollimore (NHC Fellow, 1988–89) When it was first published, Radical Tragedy was hailed as a groundbreaking reassessment of the drama of Shakespeare and his contemporaries. An engaged reading of the past with compelling contemporary significance, Radical Tragedy remains a landmark study of Renaissance drama. The third edition of this critically acclaimed work includes a new foreword by … Continued