Poetry Archives | Page 4 of 13 | National Humanities Center

Poetry

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Coleridge’s Melancholia: An Anatomy of Limbo

By Eric G. Wilson (NHC Fellow, 2003–04) This lively intellectual biography of the second half of Coleridge's life argues that the poet, in his mature work, reveals a brilliant though troubled genius for conveying the ambiguities of psychological limbo. Asserting that the later poetry is the key element of Coleridge's career, Eric G. Wilson proposes … Continued

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Propertius: Poet of Love and Leisure

By Alison Keith (NHC Fellow, 2007–08) In Propertius: Poet of Love and Leisure, Alison Keith explores Propertius' elegiac poetry in the context of early imperial Roman society. Examining a variety of themes associated with both Propertian poetics (such genre theory, poetic models, the girlfriend, the rival) and the poet's social context within the early Augustan principate … Continued

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The Harps That Once…: Sumerian Poetry in Translation

Edited and translated by Thorkild Jacobsen (NHC Fellow, 1986–87; 1988–89) The eminent Assyriologist Thorkild Jacobsen, author of Treasures of Darkness, here presents translations of ancient Sumerian poems written near the end of the third millennium b.c.e., including a number of compositions that have never before been published in translation. The themes developed in the poems—quite … Continued

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Continued

By Piotr Sommer (NHC Fellow, 2004–05) Continued is a selection of poems by Piotr Sommer, spanning his career to date. A kind of poetic utterance, these "talk poems" are devoid of any singsong quality yet faithfully preserve all the melodies and rhythms of colloquial speech. Events and objects of ordinary, everyday life are related and … Continued

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How Milton Works

By Stanley Fish (NHC Fellow, 1991–92) Stanley Fish’s Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world’s preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement … Continued

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Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley, and the Ends of Patriarchal Poetry

By Rachel Blau DuPlessis (NHC Fellow, 2008–09) What is patriarchal poetry? How can it be both attractive and tempting and yet be so hegemonic that it is invisible? How does it combine various mixes of masculinity, femininity, effeminacy, and eroticism? At once passionate and dispassionate, Rachel Blau DuPlessis meticulously outlines key moments of choice and debate … Continued