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Hermann Conring’s New Discourse on the Roman-German Emperor

By Hermann ConringEdited and translated by Constantin Fasolt (NHC Fellow, 1996–97) The New Discourse on the Roman-German Emperor is the first work in which Hermann Conring's (1606-1681) ideas about the independence of Germany from the Roman Empire became available to a wider audience. This English translation–the first of any of Conring's works–includes the Latin original, … Continued

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Liberty & Equality in Caribbean Colombia, 1770-1835

By Aline Helg (NHC Fellow, 2000–01) After Brazil and the United States, Colombia has the third-largest population of African-descended peoples in the Western hemisphere. Yet the country is commonly viewed as a nation of Andeans, whites, and mestizos (peoples of mixed Spanish and indigenous Indian ancestry). Aline Helg examines the historical roots of Colombia's treatment and neglect … Continued

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Many Are the Crimes: Mccarthyism in America

By Ellen Schrecker (NHC Fellow, 1994–95) From an award-winning McCarthy scholar comes the first post-Cold War exploration of the anticommunist witch-hunt and its devastating impact. Tracing the way that a network of dedicated anticommunists created blacklists and destroyed organizations, this broadbased inquiry reveals the connections between McCarthyism’s disparate elements in the belief that understanding its … Continued

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Mediterranean Passages: Readings from Dido to Derrida

Edited by Erdağ Göknar (NHC Fellow, 2007–08; 2022–23), Grant Parker, and Miriam Cooke The Mediterranean is the meeting point of three continents–Asia, Africa, and Europe–as well as three major monotheistic religions–Islam, Judaism, and Christianity. Focusing on global networks and cultural exchanges, Mediterranean Passages collects writings from across 3,000 years to provide a pan-Mediterranean perspective of the cultural, … Continued

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Music and Revolution: Cultural Change in Socialist Cuba

By Robin D. Moore (NHC Fellow, 2004–05) Music and Revolution provides a dynamic introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life. Robin D. Moore gives readers a chronological overview of the first decades after the Cuban Revolution, documenting the … Continued