
Coleridge, Shelley, and Transcendental Inquiry: Rhetoric, Argument, Metapsychology
By John A. Hodgson (NHC Fellow, 1981–82) The English Romantic writers and poets valued a genuine coherence of image and idea. Striving for organic form, they were faced with the challenge of using figuration – metaphor, metonymy, synecdoche – to represent the essentially unrepresentable: God, ultimate power, the human mind and psyche, what Shelley called … Continued