Meyer H. Abrams Senior Fellowship | National Humanities Center

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Meyer H. Abrams Senior Fellowship

Celebrating one of the National Humanities Center’s founders as well as one of the nation’s leading literary scholars, the Meyer H. Abrams fellowship has been awarded annually to a scholar working in literary studies since 2006. One of the twentieth century’s leading figures in literary criticism, Abrams is most well known for The Mirror and the Lamp (1953), considered one of the finest critical works produced during the twentieth century, and the Norton Anthology of English Literature for which Abrams was the founding editor.

The Abrams fellowship was endowed by financier Stephen Weiss, a trustee emeritus of the National Humanities Center and a distinguished alumnus of Cornell University, where he studied with Abrams. A committed philanthropist, Weiss served for many years as a trustee of Cornell and made many gifts to the university including fellowships for undergraduates, professorships in the humanities and medicine, a deanship, and faculty research grants.

2007–2008 Elizabeth Helsinger University of Chicago A Peculiar Music: Poetry, Art, and Song in Nineteenth-Century Britain
2008–2009 Deborah Nord Princeton University Leaving Home: Women Writers and the Public Sphere, 1800 to the Present
2009–2010 Joseph Boone University of Southern California The Homoerotics of Orientalism: Mappings of Male Desire in Narratives of the Near and Middle East
2010–2011 Henry S. Turner Rutgers University The Corporate Commonwealth: Economy, Technology and Political Community
2011–2012 Jonathan D. Culler Cornell University The Theory of the Lyric
2012–2013 Sarah T. Beckwith Duke University Shakespeare and the Names of Action
2013–2014 Lynn Festa Rutgers University All Things Human in Eighteenth-Century Britain
2014–2015 Lena Cowen Orlin Georgetown University The Private Life of William Shakespeare
2015–2016 Jane O. Newman University of California, Irvine Auerbach’s Worlds: Early / Modern Mimesis between Religion and History
2016–2017 Derek Attridge University of York, U.K. Poetry in Performance from Homer to the Renaissance
2017–2018 Blake Wilson Dickinson College Dominion of the Ear: Memory, Performance, and Oral Poetry in Early Modern Italy
2017–2018 Maud Ellmann University of Chicago Inside Out: Psychoanalysis and Fiction in World War II Britain and France
2018–2019 Ted Underwood University of Illinois, Urbana-Champaign A Perspectival History of Fiction in English, 1800–2008
2019–2020 Marsha Gordon North Carolina State University Leftover Ladies: Ursula Parrott and the Emergence of the Modern Woman
2020–2021 Aarthi Vadde Duke University We the Platform:  Contemporary Literature after Web 2.0
2021–2022 Juan G. Ramos College of the Holy Cross Andean Modernismos: Affective Forms in Colombia, Ecuador, and Peru
2022–2023 Cedric R. Tolliver University of Oklahoma Spook(ed): African American Literature, National Security, and the Fictions of Statecraft
2023–2024 Jonathan Sachs Concordia University Slow Time
2024–2025 Frank Shovlin University of Liverpool John McGahern: A Writing Life