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Meyer H. Abrams Senior Fellowship
Celebrating one of the National Humanities Center’s founders as well as one of the nation’s leading literary scholars, the Meyer H. Abrams fellowship has been awarded annually to a scholar working in literary studies since 2006. One of the twentieth century’s leading figures in literary criticism, Abrams is most well known for The Mirror and the Lamp (1953), considered one of the finest critical works produced during the twentieth century, and the Norton Anthology of English Literature for which Abrams was the founding editor.
The Abrams fellowship was endowed by financier Stephen Weiss, a trustee emeritus of the National Humanities Center and a distinguished alumnus of Cornell University, where he studied with Abrams. A committed philanthropist, Weiss served for many years as a trustee of Cornell and made many gifts to the university including fellowships for undergraduates, professorships in the humanities and medicine, a deanship, and faculty research grants.
2007–2008 | Elizabeth Helsinger | University of Chicago | A Peculiar Music: Poetry, Art, and Song in Nineteenth-Century Britain |
2008–2009 | Deborah Nord | Princeton University | Leaving Home: Women Writers and the Public Sphere, 1800 to the Present |
2009–2010 | Joseph Boone | University of Southern California | The Homoerotics of Orientalism: Mappings of Male Desire in Narratives of the Near and Middle East |
2010–2011 | Henry S. Turner | Rutgers University | The Corporate Commonwealth: Economy, Technology and Political Community |
2011–2012 | Jonathan D. Culler | Cornell University | The Theory of the Lyric |
2012–2013 | Sarah T. Beckwith | Duke University | Shakespeare and the Names of Action |
2013–2014 | Lynn Festa | Rutgers University | All Things Human in Eighteenth-Century Britain |
2014–2015 | Lena Cowen Orlin | Georgetown University | The Private Life of William Shakespeare |
2015–2016 | Jane O. Newman | University of California, Irvine | Auerbach’s Worlds: Early / Modern Mimesis between Religion and History |
2016–2017 | Derek Attridge | University of York, U.K. | Poetry in Performance from Homer to the Renaissance |
2017–2018 | Blake Wilson | Dickinson College | Dominion of the Ear: Memory, Performance, and Oral Poetry in Early Modern Italy |
2017–2018 | Maud Ellmann | University of Chicago | Inside Out: Psychoanalysis and Fiction in World War II Britain and France |
2018–2019 | Ted Underwood | University of Illinois, Urbana-Champaign | A Perspectival History of Fiction in English, 1800–2008 |
2019–2020 | Marsha Gordon | North Carolina State University | Leftover Ladies: Ursula Parrott and the Emergence of the Modern Woman |
2020–2021 | Aarthi Vadde | Duke University | We the Platform: Contemporary Literature after Web 2.0 |
2021–2022 | Juan G. Ramos | College of the Holy Cross | Andean Modernismos: Affective Forms in Colombia, Ecuador, and Peru |
2022–2023 | Cedric R. Tolliver | University of Oklahoma | Spook(ed): African American Literature, National Security, and the Fictions of Statecraft |
2023–2024 | Jonathan Sachs | Concordia University | Slow Time |
2024–2025 | Frank Shovlin | University of Liverpool | John McGahern: A Writing Life |