By Mark Evan Bonds (NHC Fellow, 1995–96; 2021–22) Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as “more pleasure than culture,” and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now … Continued
Edited by Katherine K. Preston (NHC Fellow, 2009–10) George Frederick Bristow (1825–98), American composer, conductor, teacher, and performer, was a pillar of the New York musical community for the second half of the nineteenth century. His participation in an important mid-century battle of words—between William Henry Fry and the journalist Richard Storrs Willis, concerning a … Continued
Charles Frazier recalls when the North Carolina Symphony traveled to the small towns of western NC on their annual state tour. The symphony’s visit to the rural and relatively isolated communities exposed Frazier and his classmates to a bold new type of sound—and a new way of thinking about art.