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Works Cited Arnett, Paul and Eugene W. Metcalf, Jr., eds., Mary Lee Bendolph, Gee’s Bend Quilts, and Beyond. Tinwood Books, Atlanta, 2006. Berlin, Ira. Many Thousands Gone: The First Two Centuries of Slavery in North America. Harvard University Press, Cambridge, Mass., 1998. Chambers, Douglas B. Murder at Montpelier: Igbo Africans in Virginia. University Press of Mississippi, Jackson, 2005. Curtin, Philip D. The Atlantic Slave Trade: A Census. University of Wisconsin Press, Madison, 1969. Eltis, David and Philip Morgan (eds.), New Perspectives on the Transatlantic Slave Trade, Vol. 58, no. 1, William and Mary Quarterly, 2001. Ferguson, Leland. Uncommon Ground: Archaeology and Early African America, 1650–1800. Smithsonian Press, Washington, DC, 1992. Fleming, E. McClung. “Artifact Study: A Proposed Model,” Winterthur Portfolio 9 (1974): 153–73. Leon, Eli. Who’d A Thought It: Improvisation in African-American Quiltmaking. San Francisco Craft and Folk Art Museum, San Francisco, 1987. Thompson, Robert Farris and Joseph Cornet. The Four Moments of the Sun: Kongo Art in Two Worlds. National Gallery of Art, Washington, 1981. Vlach, John Michael. The Afro-American Tradition in Decorative Arts. (University of Georgia Press, Athens, 1990. Vlach, John Michael. Charleston Blacksmith: The Work of Philip Simmons. Revised Edition. University of South Carolina Press, Columbia, 1992. Vlach, John Michael. Back of the Big House: The Architecture of Plantation Slavery. University of North Carolina Press, Chapel Hill, 1993. Walsh, Lorena. From Calabar to Carter’s Grove: The History of a Virginia Slave Community. University Press of Virginia, Charlottesville, 1997. Wood, Peter H. Black Majority: Negroes in Colonial South Carolina from 1670 though the Stono Rebellion. W.W. Norton, New York, 1974. Yetman, Norman R. Life Under the “Peculiar Institution”: Selections from the Slave Narrative Collection. Holt, Rinehart, Winston, New York, 1970.
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