|- ||Council of Castille,
Requerimiento to be read to the Indians, 1510 (PDF)|
|- ||Cortés, Letter to King Charles I of Spain, 1521, excerpts|
|- ||Indian accounts of the Spanish conquest in Mexico, 1500s (PDF)|
|- ||Bartolomé de las Casas, A Short Account of the Destruction of the Indies, 1542, excerpts (PDF)|
|- ||Spanish illustrations of the Indians, 1500s|
- Aztec juggler
- Feather-working scenes
- Burning of "idols"
NOTE: For each image, click "Discussion" for a pop-up window with background information. To print the pop-up, hit Ctrl and P on your keyboard.
Many factors conditioned the ways Europeans responded to Native Americans and the ways Native Americans responded to Europeans. Motivations, expectations, political and social structures, religious beliefs, concepts of civilization, and perceptions of wealth and power all played a role. Perhaps nowhere is the complex mingling of such forces more evident than in Hernan Cortés's encounter with the Mexica (Aztecs). Cortés landed at what is now Veracruz in Mexico on Good Friday, April 22, 1519. He set sail from the flourishing Spanish colony of Cuba. His troops included many men who had arrived on the island too late to grab their own estates. Thus when they came to Mexico, their greed was alloyed with a desperate resolve to capitalize upon a second shot at riches. To illustrate their mindset, we offer the "Requerimiento," a proclamation in which the Spanish spelled out, quite bluntly, the deal they had in mind for the natives of the Americas: Convert to Christianity or be attacked.
The traditional story of the Aztec relationship with the Spanish, rooted in the Spanish perspective, describes how a "handful" of soldiers overwhelmed the Aztecs and wiped out their civilization. Much of that story comes from a series of letters Cortés sent to his royal sponsor King Charles I, and here we read an excerpt from his second letter, in which he expresses his awe at the Aztec capital of Tenochtitlán (modern Mexico City).
For over four hundred years the Indians' accounts of Mexico's conquest were not easily accessible, but in 1959 Mexican anthropologist Miguel Léon-Portilla published Visión de los Vencidos (Vision of the Vanquished, published in English as The Broken Spears). It weaves together selections from a variety of sixteenth-century indigenous accounts, some as early as 1528, into a narrative that describes among other things, Cortés's landing, the battles he fought and alliances he made on his march to Tenochtitlán, the Aztecs' defensive maneuvers, their almost successful retaliation, and finally their fall. An engaging read translated from Nahuatl, the language of the Aztecs, it reveals a world of omens, splendor, intrigue, diplomacy, and treachery (included also in #6:INDIANS' ACCOUNTS).
Not only did Indians recount the cruelty of the Spanish conquest, so did a Spanish priest in Mexico, Bartolomé de las Casas. A human rights activist in today's terms, he compiled his eyewitness accounts of Spanish atrocities with others' from across the Caribbean and Central America, and presented them in 1542 to the Spanish king, imploring him to "extirpate the causes of so many evils." The king responded as las Casas hoped, issuing "New Laws" to moderate the treatment of the Indians, but they saw little enforcement in the New World. Las Casas titled his compilation A Short Account of the Destruction of the Indies; we present his introductory and concluding statements here, which you will find sufficient to absorb his horror and moral anguish.
Finally, the three images by European artists illuminate the post-conquest fate of the Mexican Indians. The picture of the juggler lying on his back balancing a log dates from about 1529, just a few years after the Aztec conquest in 1521. It was painted by Christoph Weiditz, a German artist who saw Aztec acrobats perform in Madrid at the court of Emperor Charles V (of the Holy Roman Empire; also King Charles I of Spain). The scenes depicting the making of feather art come from the Florentine Codex, a twelve-volume encyclopedia of Aztec culture compiled in the late sixteenth century under the direction of the Franciscan priest Bernardino de Sahagún. The unknown artist was probably trained by Franciscans in their effort to create a utopian Christian community among the Indians. Finally, the painting depicting the burning of Aztec idols dates from the early 1580s. It is the work of Diego Muñoz Camargo, a mestizo from an elite family in Tlaxcala, a city that allied itself with Cortés as he marched to Tenochtitlán. (28 pages, including the illustrations and their descriptions.)
- Compare the Native American culture the Spanish encountered in Mexico, as described in Cortés's letter and the Indian accounts, with the cultures encountered by the English, the French, and the Russians in their explorations.
- How does Cortés's letter reflect the spirit of the "Requerimiento"?
- How did the culture of the Aztec's shape the Spanish response to it?
- How do the details Cortés chooses to describe in his letter reflect the motivations, intentions, and expectations of the Spanish in Mexico?
- Compare Cortés's description of Tenochtitlán with its appearance in the Aztec description.
- Compare the tone and the circumstances of the first encounter between the Spanish and the Aztecs with the tone and circumstances of the first encounters described by other explorers in this section of the toolbox. What accounts for the differences?
- What general pattern of Spanish conquest does las Casas present in A Brief Account? How does it compare with the Indians' accounts?
- How did las Casas structure his report to most influence the king's response?
- The Aztec acrobats who performed for King Charles were probably the first Native Americans their audience had ever seen. What impression does Weiditz's painting convey? What would the painting tell its European viewers about Native Americans and about themselves?
- The feather painting scenes were done nearly fifty years after the painting of the juggler. How has the image of the Native American changed? What were the Franciscans saying about the Indians and about their fellow Europeans?
- How does the painting depicting the burning of the idols both reject and affirm the Aztec heritage?
|Topic Framing Questions|
||How did Europeans interpret the "newe fonde londe" upon their first contacts?|
||How did Indians respond to the Europeans?|
||How did these initial encounters frame future Indian-European relationships?|
||What did the "New World" signify to Europe in 1500? in 1550?||
|Requerimiento: || 2
|Cortés letter to King Charles: || 6
|Indian accounts of the Spanish conquest*: ||10
|Las Casas, Destruction of the Indies: || 3
|Illustrations with discussion pages: || 6|
|TOTAL ||27 pages|
*same text as in #6:INDIANS' ACCOUNTS
The Conquest of Mexico, primary documents and resources for teachers and students from Nancy Fitch, Dept. of History, California State University-Fullerton
Images from Indian accounts compiled in Spanish codices, from Kevin Terraciano, Dept. of History, UCLA
Mesoamerican Manuscript Facsimiles, digital texts from the University of Utah Library
Visión de los Vencidos (Vision of the Vanquished, 1959), full text in Spanish of the conquest narratives compiled by Miguel León-Portilla (published in English as The Broken Spears: The Aztec Account of the Conquest of Mexico)
Bartolomé de las Casas, biography from Britannica.com
A Brief Account of the Destruction of the Indies, by Fr. Bartolomé de las Casas, full text in English, from Richard Slatta, Dept. of History, North Carolina State University
Gold of the Indies, from the Timeline of Art History, Metropolitan Museum of Art
Vistas: Visual Culture in Spanish America, 1520-1580, from Smith College and Fordham University
Aztecs, online exhibition from the Royal Academy of Arts, UK
Historia de Tlaxcala, overview and images from Glasgow University Library
|*PDF file - You will need software on your computer that allows you to read and print Portable Document Format (PDF) files, such as Adobe Acrobat Reader. If you do not have this software, you may download it FREE from Adobe's Web site.|
Requerimiento: ||National Humanities Center|
|Cortés letter: ||Internet Modern History Sourcebook, from Paul Halsell, Fordham University|
|Las Casas: ||National Humanities Center|
|Illustrations: ||Vistas: Visual Culture in Spanish America, 1520-1820, from Smith College and Fordham University|
Image: Theodore de Bry, engraving in Bartolomé de las Casas, A Short Account of the Destruction of the Indies, written 1542, orig. publ. 1552, engraving from de Bry 1598 publication. Reproduced by permission of the John Carter Brown Library, Brown University, #0683-2.